The light flux will hit the reflector and end up on the subject. Just place a reflector on ¾ in front of the key light. Fill light is easy to recreate even if you don’t have an extra light source. The closer the fill light is to the camera, the fewer shadows it creates. The intensity of the fill light is expressed by the “fill light ratio,” also known as the “key to filling ratio.” For example, a ratio of 1:2 means that the key light is twice as bright as the fill light. Since the main task of the fill light is to soften the shadows created by the key, it mustn’t stand out and create its own.
To achieve this, you can either use a diffuser, move them away, or use less harsh light. The fill light is often used as a floodlight, which kills off the shadows but floods the entire scene with the light. The reason why it is called fill is that it fills the shadows cast by the key light. Thus, you should place the fill light on the opposite side of your key.įill lights are usually softer and less intense than your key lights. Then, when pressing Play, the area under the timeline selection area will become loopable, if the loop action is active.
Open the Timeline tab on the Color Page and (like on the edit page), you can create an in and out point (I & O). The fill light is your secondary source of light. Create an in and out point for the area under the timeline selection to become loopable.
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